For four seasons, Apple TV+’s For All Mankind has presented an alternate history of the space race, starting in a world where Russia, not America, put the first person on the moon. That single incident creates a domino effect on history: In the first season, set in the 1960s and ’70s, the United States allows women into the NASA pilot program. In the 1980s, both America and Russia build small manned bases on the moon. By the 1990s, American and Russian space programs are competing not only with each other but with private space tourism efforts, including a massive orbital hotel.
In the fourth season, set in 2003, the U.S., Russia, a private space exploration company, and North Korea have set up a joint settlement on Mars. But tensions run high when the workers revolt, staging a strike just as an asteroid ripe for mining drifts through the solar system. There are black market operations and an illegal speakeasy, high-stakes geopolitical negotiations, and deadly outer-space operations. The show presents space exploration, under whatever national or corporate aegis, as risky, difficult—and gloriously necessary for the growth of humanity.
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